Tuesday, November 29, 2011
Sunday, November 13, 2011
Renewing Christchurch & Rethinking Resilience: 1
Ideas that drive this plan…
Katrina killed 1300 people. Also lost were people and places at the heart of New Orleans’ cultural economy. A Cultural Plan was agreed with stakeholders on how that cultural heart would be renewed, rebuilt, and attracted back home again….
The 1995 earthquake in Kobe killed 6,400 people and destroyed more than 100,000 buildings. To remember and learn from this savage experience the city adopted the theme “making the invisible visible” and celebrated places where the living who survived had found safety.
A thousand years ago Ngai Tahu came to Canterbury, living lightly upon it, respecting the life force of land and living things, making and telling stories about this relationship in wood and in words.
English colonisers of Christchurch laid out their dreams and buildings on the land assuming it would support and sustain their cultural symbols as reliably as back home in England. Regular earthquakes shook that faith for 150 years, shaking those assumptions, but not seriously till now.
The wise man builds his house on rock, but the man who builds his house on sand the same way risks seeing it fall. Renewing Christchurch and minimising risk requires the reality of the landscape to be recognised and embraced. Seismic realities can be ignored no longer. They need to be built into Christchurch culture.
Culture is about more than writing and music and art. It includes the shared beliefs, customs, rituals and values of people and communities in a given place at a given time. Christchurch is the place and the time is now, recovering from earthquake, eyes wide open to those realities, and gaps in its cultural landscape.
Experiences and feelings in poems, pictures, dances, songs and plays expressed by those touched by the earthquake can be integrated into the life and plans of Christchurch, rather than being embalmed in the hidden memories of an earthquake. These cultural expressions can be harnessed to build a new belief.
Ngai Tahu’s cultural relationships with Christchurch have also been marginalised by European culture. Now is the opportunity to find a new cultural balance.
It is understandeable that the people of Christchurch yearn for certainty in this time of disruption. But low confidence in public planning will be justified and deepen if authorities persist with the status quo rather than grasping the nettle of adaptive planning needed to deliver the resilience and flexibility that will satisfy insurance industry risk assessors.
Rigid symbols of stone gallery buildings and unbending oak trees need to relax into a consciously renewed and resilient culture redolent of a responsive occupation of a moving land by a diversity of people.
Renewing Christchurch on sand requires a fundamental change of culture, a planned rebuild of its cultural landscape, by means of a cultural plan that can point the way while changing over time, so that development and planning and public life is constantly informed and reminded of forces that are beyond human control. The city must learn from its experience and move in step with the land and its people.
Christchurch has the opportunity of cultural renewal from the inside out, as a tool of adaptive transformation, and as a beacon for travellers seeking inspiration. It needs a new belief in itself.
This report contributes to that process…
(This is the short introductory section of my report: Renewing Christchurch & Rethinking Resilience - A Cultural Plan. If you want the whole thing - please contact me.)
Renewing Christchurch & Rethinking Resilience: 2
Christchurch is like every city in that it has a personality that reflects its history, diversity, “sense of place”, and the values, needs, and dreams of its residents. Many things contribute to how people experience their city and local community: traditions, neighbourhoods, weather, landscape, natural environment, schools, leadership, businesses, parks, housing, and the ebb and flow of events and activities.
One thing is essential in shaping a city's personality – and that is how people see, feel, and connect with its cultural life. A community's culture is expressed in many ways - through art, music, theatre, dance, and film – but also in food, architecture, urban planning, public places and institutions, cultural traditions, media, and new ideas.
Why plan?
Arts and cultural activities do happen on their own through the energy and dreams of creative individuals and organisations, and in times of crisis like post-earthquake in the efforts of people and organisations as they try to make sense of the new reality and get on with life in a changed and changing environment. Sometimes these activities are helped by providing spaces, funding, collaborations, and other resources. And sometimes there needs to be a much greater public engagement with cultural activity – for example when it is at the heart of any transition or change process.
Planning can map out Christchurch's arts and cultural assets, needs, opportunities, resources, and priorities to help create strategies and guide actions for the community to further develop the cultural sector. But planning can and must go further than that if Christchurch wants the sort of renewal that is needed now – which is not really a “post earthquake” renewal, rather it is a “seismic reality” renewal.
Why plan now?
Christchurch has always recognised the importance of the arts and culture. Around the world, creativity is touted as an indispensable resource for civic vitality and prosperity. Studies have measured the impact of the cultural sector Christchurch in annual economic activity in terms of jobs and revenues. Christchurch rightly wants to ensure that its community remains a hotbed of innovation, creativity and entrepreneurial energy, and the Draft Christchurch Central City Plan advocates initiatives that can underpin that aspiration.
But there is an unusual cultural change opportunity now, which is not being seized by Christchurch planners. That is the need to shift Christchurch culture from one of environmental certainty, to one of seismic uncertainty. That need is not being seized primarily because of the very human hope that the earthquakes will stop. And not come back for a very long time. Creative energy has hit an unusual peak in Christchurch following the sequence of earthquakes.
There is a grassroots recognition that things cannot be the same. There is evidence of cultural activity which brings the arts into urban planning and architecture. There is evidence of cultural events where science and art are coming together in new ways as people try to make sense of the unfamiliar landscape that Christchurch and Canterbury has become. Long term renewal of Christchurch requires a plan that engages with and influences the need for fundamental cultural change in Christchurch.
(This is a short section of my report: Renewing Christchurch & Rethinking Resilience - A Cultural Plan. If you want the whole thing - please contact me.)
Renewing Christchurch & Rethinking Resilience: 3
The Christchurch newspaper clipping (Shown here. Newspaper article. The Star newspaper, Issue 7417, 31 May 1902, Page 5. Obtained from “Papers Past”, National Library Archives. Click on it to enlarge it.) provides historic information about a number of things. It describes the fact that the Cathedral spire has been brought down before and “severely shaken” on another occasion. It also describes research:
“from almost all earthquake- ridden countries in the world” and found that “in no earthquakey country is there a spire nearly so high as that in Christchurch”. It also states that “to carry out the work in brick… is quite impossible…”
Newspaper archive research indicates that the top 40 feet of the Cathedral spire were knocked down by earthquake in 1888. The above report relates to the Cheviot centered earthquake in 1901. Reports also record the spire being damaged by earthquake in 1922 and 1929. Apparently there was another significant earthquake just off the coast of Christchurch in Pegasus Bay in 1987 – though it is difficult to track down archive information about this.
However it appears to have triggered research by the New Zealand Earthquake Commission (EQC) at the time (The Earthquake Hazard In Christchurch: a detailed evaluation, by Elder, McCahon and Yetton, 1991), which was largely corroborated by separate research conducted by the New Zealand Institute of Nuclear and Geological Science (NZINGS) which was reported in 1995 (Geology of Christchurch, Brown, R. D. Beetham, B. R. Paterson, and J. H. Weeber, Environmental and Engineering Geoscience, 1995).
This information cites four earthquakes that did severe damage in, and very close to the City of Christchurch (1869, 1901, 1922 and 1987). The NZINGS report (1995) states:
The geology, tectonic setting, and active seismicity of the Christchurch area indicate that future large earthquakes will occur which will have major impact on the city. Earthquakes are expected to produce liquefaction, landsliding, ground cracking, and tsunami. Planning and design to mitigate the consequences of these phenomena are an essential prerequisite for preparedness.... The identification and quantifying of geological hazards, and the implementation of regulation and planning designed to discourage irresponsible land use, should continue in the future as the geological knowledge and database is expanded....Based on its research the EQC report had predicted a return period for another damaging earthquake in Christchurch of 55 years.
My research into the roles and responsibilities of the Christchurch City Council and the Canterbury Regional Council suggest that their actions have amounted to a conspiracy of silence regarding the risks to buildings and development posed by local seismicity. It has been suggested by many that there was a desire to protect the value of land and not threaten the city’s economic progress.
Estimates of the economic cost of the recent cluster of earthquakes range up $20 billion NZ, with those costs being met by the Earthquake Commission, Central Government, Insurance Companies, Local Government and private pockets. Suffice to note, the earthquake cat is now well and truly out of the bag, which is one reaspon why insurance companies are reluctant to invest in future risk in Christchurch, until the risk is better understood, and until all concerned build and adapt to the conditions. No longer will it be acceptable or appropriate to claim the tallest cathedral when that claim amounts to Don Quixote tilting at windmills. Or the foolish man building his house upon the sand.
(This is a section of my report: Renewing Christchurch & Rethinking Resilience - A Cultural Plan. If you want the whole thing - please contact me.)
What's POAL Really For?
So. Your packed container - which must weigh less than 20 tonnes - gets picked up by a truck in Hamilton, driven along SH1 to Ports of Auckland for around $700.00. Ports of Auckland puts it on a ship for about $200. Etc.
The percentage of POAL costs in this particular supply chain is tiny - less than 4%.
If the same container was shipped through Ports of Tauranga, which charges slightly more per container than POAL, the overall cost would not be very different. However, if Auckland's Southern Motorway gets more congested, and if reliability of delivery time becomes an issue, then POT quickly becomes more attractive.
The point is, there is very fine cost balance between POT and POAL for sea freight. Auckland has kept ahead by price cuts at the margin. And that is why POAL dividends and profits have been steadily slipping away. However those who own the Ports of Auckland (Auckland Council) talk up its importance hugely:
By value, POAL handles 40% of New Zealand's total imports and 21% of NZ total exports, representing 13% of national GDP, or approximately $24.5 billion of trade...This on the strength of a 4% share of the transport supply chain, and being a transport link which could readily be provided by NorthPort or Ports of Tauranga.
The blog below this one (wherefore-ports-of-auckland) was my ramble through the economics of Ports and Containerisation. This one sticks to basics, and asks questions that must be answered before Auckland Council agrees to a 20 hectare reclamation into Waitemata Harbour to accommodate Ports of Auckland growth plans.
I was a Councillor on the Auckland Regional Council when ARC purchased the remaining 20% private stake in POAL for $170 million. At the time critics suggested that POAL would need to earn profits of more than $60 million annually to justify the share value. In fact POAL profits and dividends have been rather less than this figure since, dipping below $20million/year. But in 2007 the port company transferred its Tank Farm, or western reclamation, property assets to ARC. These assets were valued at $284 million at the time of transfer in April 2007. Chalkie, of the Independent Newspaper, wrote in 9 October 2008:
"...It was widely thought at the time of the takeover it was this land ARC was really interested in gaining control of rather than the port company itself...."Which is interesting. My recollection is that the ARC was interested in both aspects. However I became very concerned that the ARC's very first proposals for Tank Farm were that:
development returns should be maximised to fund public transport.... While I am a strong supporter of public transport, I did not support scarce waterfront land - then in public ownership - being developed to maximum potential. But I digress slightly.
Back to POAL expansion plans over the next few years. These growth plans are predicated on assumptions of a massive increase in container traffic (from the present 890,000 container movements/annum up to around 4,000,000) which are not supported by the literature for shipping, even without taking into account the sharp declines in air freight costs that are being experienced.
My research wherefore-ports-of-auckland also notes the massive investment that would be required to land transport networks (SH1, Freight Rail, Grafton Gulley), if POAL growth plans went ahead in totality. Yet as far as I can tell, these transport improvements have low priority as far as Auckland Council is concerned.
So. Why allow the Port to expand, without investing in transport connections?
There seems to be only one answer. That is, to produce more waterfront CBD land for property development, and to make Ports of Auckland Ltd more valuable should a proportion of its shares be sold (to free up capital for investment in transport for example).
Auckland Council only needs to grant POAL Resource Consent for reclamation out to the PMA (Ports Management Area) line in the Waitemata Harbour. The economics are attractive. I am advised it costs about $1000/square metre using cleanfill/concrete to create new land through reclamation, and equivalent Central City land has capital valuations around $7000/square metre. Assuming a margin of $5000/square metre, a 20 hectare reclamation would add a cool $1,000,000,000 to the POAL balance sheet....
So. POAL growth plans could be seen as an opportunity for Auckland Council to profit from property development, rather than a serious engagement with imports and exports.
Only a local authority could get away with this in New Zealand.
Thursday, November 10, 2011
Wherefore Ports of Auckland?
Thursday, November 3, 2011
Submission: Economic Development Strategy
Introduction |
Submission 1: A partnership with central government and other New Zealand ports be established to rationalise port sector expansion and adopt a coordinated approach to port infrastructure planning. |
Submissions A: Waterfront Plan
Introduction
The first DWP objective is: “a sustainable area”. However the word “growth” or “growing” is problematic in the context of sustainability. In fact the DWP’s description of what the draft goal “A growing waterfront” means, emphasises the need for a significant lift in Auckland’s and New Zealand’s productivity. Productivity is central to many Government, local government and business development initiatives throughout New Zealand now. Productivity increase can be achieved without growth. But growth can occur without any improvement in productivity. At a time of fiscal stringency, the need for sustainability, and trends that allow growth only when it demonstrates high benefit/cost returns, it is my submission that Goal 3 should read: “A productive waterfront”. I note at the outset that in the DWP “Cruise” and “Ports” activities are both positioned under Goal 2: “A working waterfront”. This is appropriate in my view. The plan should be absolutely clear that provision for “Cruise” on Queens does conflict with Goal 1: “A public waterfront”. |
Submission 1: Goal 3 should read: “A productive waterfront." |
Submissions B: Waterfront Plan
Where is the Masterplan? |
Submission 2: Ports expansion plan assumptions need to be re-visited, and scenario options developed to enable a formal planning process. |
Submissions C: Waterfront Plan
Waterfront Public Space and Urban Parkland |
Submission 3: Waterfront public space planning needs to include provision for urban park requirements, not just connectivity and accessibility. |
Submissions D: Waterfront Plan
Ports Growth Plans |
Submission 4: Ports plan assumptions need to be re-visited, and regard be had for their impact on Auckland’s local and international visitor economy. |
Submissions E: Waterfront Plan
Princes Wharf |
Submission 5: The Draft Waterfront Plan needs to provide for Princes Wharf. Proposals are required to improve Cruise Ship handling facilities in the short term, and to ensure that the public amenity conditions of Princes Wharf resource consents are given effect. |
Submissions F: Waterfront Plan
Cruise on Queens |
Submission 6: A Plan Change to the Regional Plan Coastal relating to proposed uses on Queens Wharf be publicly notified to ensure the owners and operators of Queens Wharf are in compliance with the RMA. |
Submission 7: That the Agreement relating to Queens Wharf with Ports of Auckland Ltd be re-visited to establish conditions to constrain non-public uses of Queens Wharf and Shed 10 (by the cruise ship industry for example). These conditions: should restrict the area of Queens Wharf that can be used for non-public activities; should expressly establish a five year lease for such activties – such leases being renewable subject to Council approval – thereby sending the message that non-public uses of Queens Wharf are of a temporary basis; should contain a maximum number of days and preferably a specific set of dates when Queens Wharf facilities can be used for cruise ship visits (to ensure there are opportunities and to provide the certainty needed for planning of other activities and events on Queens Wharf). |
Submissions G: Waterfront Plan
Successful Place Making at Wynyard Quarter |
Submission 8: That necessary planning be undertaken into Wynyard Quarter development options which will allow the urban park amenity now evident along Jellicoe Street (including the playground, grass mounded area, other sitting areas, paved open space areas), to be retained, by reducing proposed development intensity in the vicinity, and by reviewing development options on the tankfarm area. |
Submissions H: Waterfront Plan
RMA Plan Change for Queens Wharf |
Progressive Incorporation of Maritime Heritage into Wynyard Quarter |
Submission 9: Wynyard Quarter provision for maritime heritage and culture needs more direction to ensure the waterfront: “…incorporates Auckland’s cultural heritage and history, and provides a home for the display and use of representative examples….” |
Submission 10: Wynyard Quarter proposals need to provide for a progressive approach to maritime heritage (one which starts now), including the allocation of berthing space now in the Silo Harbour enclosed area to heritage boats and the provision of land side interpretation signage there and related amenity and that this attraction be built into the heritage trail. |
Submission 11: An explicit proposal is required which provides places and spaces for representation and cultural displays of Maori and Pacific Island maritime activities and traditions. This proposal needs to be progressive and to start now. |
Submission 12: An explicit proposal is required relating to adaptive re-use of Vos and Brijs site and buildings. |
Slow Movement Zone along waterfront supported |
Submission 13: The public passenger transport link to Britomart should be along Fanshaw Street, not across Te Whero Island. |
Marsden Wharf |
Submission 14: Marsden Wharf presents a cultural and economic opportunity which needs protection and recognition in the Waterfront Plan. |
Submission 1: Draft Auckland Plan
Introduction |
Submission 1: Planning for place-based projects needs to include robust staging criteria and prescriptions for development that will ensure the basic housing, employment, and social service needs of new communities can be met within or close to the newly developed places. This approach to be known as: Complete Communities. |
Submission 2: Draft Auckland Plan
New ferry services at Takapuna
|
Submission 2: Delete the Takapuna Ferry service proposal from the plan of works. |
Submission 3: Draft Auckland Plan
Malls and Liveable Cities |
Submission 3: Provide an urban development policy for Malls in identified growth areas which will encourage the development of an active village or town centre “main street” environment. |
Submission 4: Draft Auckland Plan
Parnell Railway Station |
Submission 4: Properly consider all options for a railway station at Parnell, taking into account the transport development principles of the Draft Auckland Plan, and taking account of previous work by Auckland City Council, Auckland Regional Council and Auckland Regional Transport Authority, before committing to any construction work on a Parnell Railway station. |
Tuesday, November 29, 2011
Sunday, November 13, 2011
Renewing Christchurch & Rethinking Resilience: 1
Ideas that drive this plan…
Katrina killed 1300 people. Also lost were people and places at the heart of New Orleans’ cultural economy. A Cultural Plan was agreed with stakeholders on how that cultural heart would be renewed, rebuilt, and attracted back home again….
The 1995 earthquake in Kobe killed 6,400 people and destroyed more than 100,000 buildings. To remember and learn from this savage experience the city adopted the theme “making the invisible visible” and celebrated places where the living who survived had found safety.
A thousand years ago Ngai Tahu came to Canterbury, living lightly upon it, respecting the life force of land and living things, making and telling stories about this relationship in wood and in words.
English colonisers of Christchurch laid out their dreams and buildings on the land assuming it would support and sustain their cultural symbols as reliably as back home in England. Regular earthquakes shook that faith for 150 years, shaking those assumptions, but not seriously till now.
The wise man builds his house on rock, but the man who builds his house on sand the same way risks seeing it fall. Renewing Christchurch and minimising risk requires the reality of the landscape to be recognised and embraced. Seismic realities can be ignored no longer. They need to be built into Christchurch culture.
Culture is about more than writing and music and art. It includes the shared beliefs, customs, rituals and values of people and communities in a given place at a given time. Christchurch is the place and the time is now, recovering from earthquake, eyes wide open to those realities, and gaps in its cultural landscape.
Experiences and feelings in poems, pictures, dances, songs and plays expressed by those touched by the earthquake can be integrated into the life and plans of Christchurch, rather than being embalmed in the hidden memories of an earthquake. These cultural expressions can be harnessed to build a new belief.
Ngai Tahu’s cultural relationships with Christchurch have also been marginalised by European culture. Now is the opportunity to find a new cultural balance.
It is understandeable that the people of Christchurch yearn for certainty in this time of disruption. But low confidence in public planning will be justified and deepen if authorities persist with the status quo rather than grasping the nettle of adaptive planning needed to deliver the resilience and flexibility that will satisfy insurance industry risk assessors.
Rigid symbols of stone gallery buildings and unbending oak trees need to relax into a consciously renewed and resilient culture redolent of a responsive occupation of a moving land by a diversity of people.
Renewing Christchurch on sand requires a fundamental change of culture, a planned rebuild of its cultural landscape, by means of a cultural plan that can point the way while changing over time, so that development and planning and public life is constantly informed and reminded of forces that are beyond human control. The city must learn from its experience and move in step with the land and its people.
Christchurch has the opportunity of cultural renewal from the inside out, as a tool of adaptive transformation, and as a beacon for travellers seeking inspiration. It needs a new belief in itself.
This report contributes to that process…
(This is the short introductory section of my report: Renewing Christchurch & Rethinking Resilience - A Cultural Plan. If you want the whole thing - please contact me.)
Renewing Christchurch & Rethinking Resilience: 2
Christchurch is like every city in that it has a personality that reflects its history, diversity, “sense of place”, and the values, needs, and dreams of its residents. Many things contribute to how people experience their city and local community: traditions, neighbourhoods, weather, landscape, natural environment, schools, leadership, businesses, parks, housing, and the ebb and flow of events and activities.
One thing is essential in shaping a city's personality – and that is how people see, feel, and connect with its cultural life. A community's culture is expressed in many ways - through art, music, theatre, dance, and film – but also in food, architecture, urban planning, public places and institutions, cultural traditions, media, and new ideas.
Why plan?
Arts and cultural activities do happen on their own through the energy and dreams of creative individuals and organisations, and in times of crisis like post-earthquake in the efforts of people and organisations as they try to make sense of the new reality and get on with life in a changed and changing environment. Sometimes these activities are helped by providing spaces, funding, collaborations, and other resources. And sometimes there needs to be a much greater public engagement with cultural activity – for example when it is at the heart of any transition or change process.
Planning can map out Christchurch's arts and cultural assets, needs, opportunities, resources, and priorities to help create strategies and guide actions for the community to further develop the cultural sector. But planning can and must go further than that if Christchurch wants the sort of renewal that is needed now – which is not really a “post earthquake” renewal, rather it is a “seismic reality” renewal.
Why plan now?
Christchurch has always recognised the importance of the arts and culture. Around the world, creativity is touted as an indispensable resource for civic vitality and prosperity. Studies have measured the impact of the cultural sector Christchurch in annual economic activity in terms of jobs and revenues. Christchurch rightly wants to ensure that its community remains a hotbed of innovation, creativity and entrepreneurial energy, and the Draft Christchurch Central City Plan advocates initiatives that can underpin that aspiration.
But there is an unusual cultural change opportunity now, which is not being seized by Christchurch planners. That is the need to shift Christchurch culture from one of environmental certainty, to one of seismic uncertainty. That need is not being seized primarily because of the very human hope that the earthquakes will stop. And not come back for a very long time. Creative energy has hit an unusual peak in Christchurch following the sequence of earthquakes.
There is a grassroots recognition that things cannot be the same. There is evidence of cultural activity which brings the arts into urban planning and architecture. There is evidence of cultural events where science and art are coming together in new ways as people try to make sense of the unfamiliar landscape that Christchurch and Canterbury has become. Long term renewal of Christchurch requires a plan that engages with and influences the need for fundamental cultural change in Christchurch.
(This is a short section of my report: Renewing Christchurch & Rethinking Resilience - A Cultural Plan. If you want the whole thing - please contact me.)
Renewing Christchurch & Rethinking Resilience: 3
The Christchurch newspaper clipping (Shown here. Newspaper article. The Star newspaper, Issue 7417, 31 May 1902, Page 5. Obtained from “Papers Past”, National Library Archives. Click on it to enlarge it.) provides historic information about a number of things. It describes the fact that the Cathedral spire has been brought down before and “severely shaken” on another occasion. It also describes research:
“from almost all earthquake- ridden countries in the world” and found that “in no earthquakey country is there a spire nearly so high as that in Christchurch”. It also states that “to carry out the work in brick… is quite impossible…”
Newspaper archive research indicates that the top 40 feet of the Cathedral spire were knocked down by earthquake in 1888. The above report relates to the Cheviot centered earthquake in 1901. Reports also record the spire being damaged by earthquake in 1922 and 1929. Apparently there was another significant earthquake just off the coast of Christchurch in Pegasus Bay in 1987 – though it is difficult to track down archive information about this.
However it appears to have triggered research by the New Zealand Earthquake Commission (EQC) at the time (The Earthquake Hazard In Christchurch: a detailed evaluation, by Elder, McCahon and Yetton, 1991), which was largely corroborated by separate research conducted by the New Zealand Institute of Nuclear and Geological Science (NZINGS) which was reported in 1995 (Geology of Christchurch, Brown, R. D. Beetham, B. R. Paterson, and J. H. Weeber, Environmental and Engineering Geoscience, 1995).
This information cites four earthquakes that did severe damage in, and very close to the City of Christchurch (1869, 1901, 1922 and 1987). The NZINGS report (1995) states:
The geology, tectonic setting, and active seismicity of the Christchurch area indicate that future large earthquakes will occur which will have major impact on the city. Earthquakes are expected to produce liquefaction, landsliding, ground cracking, and tsunami. Planning and design to mitigate the consequences of these phenomena are an essential prerequisite for preparedness.... The identification and quantifying of geological hazards, and the implementation of regulation and planning designed to discourage irresponsible land use, should continue in the future as the geological knowledge and database is expanded....Based on its research the EQC report had predicted a return period for another damaging earthquake in Christchurch of 55 years.
My research into the roles and responsibilities of the Christchurch City Council and the Canterbury Regional Council suggest that their actions have amounted to a conspiracy of silence regarding the risks to buildings and development posed by local seismicity. It has been suggested by many that there was a desire to protect the value of land and not threaten the city’s economic progress.
Estimates of the economic cost of the recent cluster of earthquakes range up $20 billion NZ, with those costs being met by the Earthquake Commission, Central Government, Insurance Companies, Local Government and private pockets. Suffice to note, the earthquake cat is now well and truly out of the bag, which is one reaspon why insurance companies are reluctant to invest in future risk in Christchurch, until the risk is better understood, and until all concerned build and adapt to the conditions. No longer will it be acceptable or appropriate to claim the tallest cathedral when that claim amounts to Don Quixote tilting at windmills. Or the foolish man building his house upon the sand.
(This is a section of my report: Renewing Christchurch & Rethinking Resilience - A Cultural Plan. If you want the whole thing - please contact me.)
What's POAL Really For?
So. Your packed container - which must weigh less than 20 tonnes - gets picked up by a truck in Hamilton, driven along SH1 to Ports of Auckland for around $700.00. Ports of Auckland puts it on a ship for about $200. Etc.
The percentage of POAL costs in this particular supply chain is tiny - less than 4%.
If the same container was shipped through Ports of Tauranga, which charges slightly more per container than POAL, the overall cost would not be very different. However, if Auckland's Southern Motorway gets more congested, and if reliability of delivery time becomes an issue, then POT quickly becomes more attractive.
The point is, there is very fine cost balance between POT and POAL for sea freight. Auckland has kept ahead by price cuts at the margin. And that is why POAL dividends and profits have been steadily slipping away. However those who own the Ports of Auckland (Auckland Council) talk up its importance hugely:
By value, POAL handles 40% of New Zealand's total imports and 21% of NZ total exports, representing 13% of national GDP, or approximately $24.5 billion of trade...This on the strength of a 4% share of the transport supply chain, and being a transport link which could readily be provided by NorthPort or Ports of Tauranga.
The blog below this one (wherefore-ports-of-auckland) was my ramble through the economics of Ports and Containerisation. This one sticks to basics, and asks questions that must be answered before Auckland Council agrees to a 20 hectare reclamation into Waitemata Harbour to accommodate Ports of Auckland growth plans.
I was a Councillor on the Auckland Regional Council when ARC purchased the remaining 20% private stake in POAL for $170 million. At the time critics suggested that POAL would need to earn profits of more than $60 million annually to justify the share value. In fact POAL profits and dividends have been rather less than this figure since, dipping below $20million/year. But in 2007 the port company transferred its Tank Farm, or western reclamation, property assets to ARC. These assets were valued at $284 million at the time of transfer in April 2007. Chalkie, of the Independent Newspaper, wrote in 9 October 2008:
"...It was widely thought at the time of the takeover it was this land ARC was really interested in gaining control of rather than the port company itself...."Which is interesting. My recollection is that the ARC was interested in both aspects. However I became very concerned that the ARC's very first proposals for Tank Farm were that:
development returns should be maximised to fund public transport.... While I am a strong supporter of public transport, I did not support scarce waterfront land - then in public ownership - being developed to maximum potential. But I digress slightly.
Back to POAL expansion plans over the next few years. These growth plans are predicated on assumptions of a massive increase in container traffic (from the present 890,000 container movements/annum up to around 4,000,000) which are not supported by the literature for shipping, even without taking into account the sharp declines in air freight costs that are being experienced.
My research wherefore-ports-of-auckland also notes the massive investment that would be required to land transport networks (SH1, Freight Rail, Grafton Gulley), if POAL growth plans went ahead in totality. Yet as far as I can tell, these transport improvements have low priority as far as Auckland Council is concerned.
So. Why allow the Port to expand, without investing in transport connections?
There seems to be only one answer. That is, to produce more waterfront CBD land for property development, and to make Ports of Auckland Ltd more valuable should a proportion of its shares be sold (to free up capital for investment in transport for example).
Auckland Council only needs to grant POAL Resource Consent for reclamation out to the PMA (Ports Management Area) line in the Waitemata Harbour. The economics are attractive. I am advised it costs about $1000/square metre using cleanfill/concrete to create new land through reclamation, and equivalent Central City land has capital valuations around $7000/square metre. Assuming a margin of $5000/square metre, a 20 hectare reclamation would add a cool $1,000,000,000 to the POAL balance sheet....
So. POAL growth plans could be seen as an opportunity for Auckland Council to profit from property development, rather than a serious engagement with imports and exports.
Only a local authority could get away with this in New Zealand.
Thursday, November 10, 2011
Wherefore Ports of Auckland?
Thursday, November 3, 2011
Submission: Economic Development Strategy
Introduction |
Submission 1: A partnership with central government and other New Zealand ports be established to rationalise port sector expansion and adopt a coordinated approach to port infrastructure planning. |
Submissions A: Waterfront Plan
Introduction
The first DWP objective is: “a sustainable area”. However the word “growth” or “growing” is problematic in the context of sustainability. In fact the DWP’s description of what the draft goal “A growing waterfront” means, emphasises the need for a significant lift in Auckland’s and New Zealand’s productivity. Productivity is central to many Government, local government and business development initiatives throughout New Zealand now. Productivity increase can be achieved without growth. But growth can occur without any improvement in productivity. At a time of fiscal stringency, the need for sustainability, and trends that allow growth only when it demonstrates high benefit/cost returns, it is my submission that Goal 3 should read: “A productive waterfront”. I note at the outset that in the DWP “Cruise” and “Ports” activities are both positioned under Goal 2: “A working waterfront”. This is appropriate in my view. The plan should be absolutely clear that provision for “Cruise” on Queens does conflict with Goal 1: “A public waterfront”. |
Submission 1: Goal 3 should read: “A productive waterfront." |
Submissions B: Waterfront Plan
Where is the Masterplan? |
Submission 2: Ports expansion plan assumptions need to be re-visited, and scenario options developed to enable a formal planning process. |
Submissions C: Waterfront Plan
Waterfront Public Space and Urban Parkland |
Submission 3: Waterfront public space planning needs to include provision for urban park requirements, not just connectivity and accessibility. |
Submissions D: Waterfront Plan
Ports Growth Plans |
Submission 4: Ports plan assumptions need to be re-visited, and regard be had for their impact on Auckland’s local and international visitor economy. |
Submissions E: Waterfront Plan
Princes Wharf |
Submission 5: The Draft Waterfront Plan needs to provide for Princes Wharf. Proposals are required to improve Cruise Ship handling facilities in the short term, and to ensure that the public amenity conditions of Princes Wharf resource consents are given effect. |
Submissions F: Waterfront Plan
Cruise on Queens |
Submission 6: A Plan Change to the Regional Plan Coastal relating to proposed uses on Queens Wharf be publicly notified to ensure the owners and operators of Queens Wharf are in compliance with the RMA. |
Submission 7: That the Agreement relating to Queens Wharf with Ports of Auckland Ltd be re-visited to establish conditions to constrain non-public uses of Queens Wharf and Shed 10 (by the cruise ship industry for example). These conditions: should restrict the area of Queens Wharf that can be used for non-public activities; should expressly establish a five year lease for such activties – such leases being renewable subject to Council approval – thereby sending the message that non-public uses of Queens Wharf are of a temporary basis; should contain a maximum number of days and preferably a specific set of dates when Queens Wharf facilities can be used for cruise ship visits (to ensure there are opportunities and to provide the certainty needed for planning of other activities and events on Queens Wharf). |
Submissions G: Waterfront Plan
Successful Place Making at Wynyard Quarter |
Submission 8: That necessary planning be undertaken into Wynyard Quarter development options which will allow the urban park amenity now evident along Jellicoe Street (including the playground, grass mounded area, other sitting areas, paved open space areas), to be retained, by reducing proposed development intensity in the vicinity, and by reviewing development options on the tankfarm area. |
Submissions H: Waterfront Plan
RMA Plan Change for Queens Wharf |
Progressive Incorporation of Maritime Heritage into Wynyard Quarter |
Submission 9: Wynyard Quarter provision for maritime heritage and culture needs more direction to ensure the waterfront: “…incorporates Auckland’s cultural heritage and history, and provides a home for the display and use of representative examples….” |
Submission 10: Wynyard Quarter proposals need to provide for a progressive approach to maritime heritage (one which starts now), including the allocation of berthing space now in the Silo Harbour enclosed area to heritage boats and the provision of land side interpretation signage there and related amenity and that this attraction be built into the heritage trail. |
Submission 11: An explicit proposal is required which provides places and spaces for representation and cultural displays of Maori and Pacific Island maritime activities and traditions. This proposal needs to be progressive and to start now. |
Submission 12: An explicit proposal is required relating to adaptive re-use of Vos and Brijs site and buildings. |
Slow Movement Zone along waterfront supported |
Submission 13: The public passenger transport link to Britomart should be along Fanshaw Street, not across Te Whero Island. |
Marsden Wharf |
Submission 14: Marsden Wharf presents a cultural and economic opportunity which needs protection and recognition in the Waterfront Plan. |
Submission 1: Draft Auckland Plan
Introduction |
Submission 1: Planning for place-based projects needs to include robust staging criteria and prescriptions for development that will ensure the basic housing, employment, and social service needs of new communities can be met within or close to the newly developed places. This approach to be known as: Complete Communities. |
Submission 2: Draft Auckland Plan
New ferry services at Takapuna
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Submission 2: Delete the Takapuna Ferry service proposal from the plan of works. |
Submission 3: Draft Auckland Plan
Malls and Liveable Cities |
Submission 3: Provide an urban development policy for Malls in identified growth areas which will encourage the development of an active village or town centre “main street” environment. |
Submission 4: Draft Auckland Plan
Parnell Railway Station |
Submission 4: Properly consider all options for a railway station at Parnell, taking into account the transport development principles of the Draft Auckland Plan, and taking account of previous work by Auckland City Council, Auckland Regional Council and Auckland Regional Transport Authority, before committing to any construction work on a Parnell Railway station. |